Tag Archives: cacao vessel

A Mestizo Tradition in Cacao: The Introduction and Incorporation of Molinillos

The history of chocolate mirrors the history of mestizaje from Mesoamerica to modern-day Mexico and Central America, with the contemporary product serving as the result of both Mesoamerican and Spanish influences. Even the production of authentic, ancient, or traditional Mesoamerican cacao beverages and chocolate are infused with post-colonial influences, from the addition of new ingredients to entirely new techniques for crafting chocolate. Of these, the introduction of the molinillo, now considered a staple component in crafting traditional Mexican chocolate, represents the culmination of indigenous and Spanish techniques.

Pre-Conquest Mesoamerican Chocolate

Cacao was harvested and consumed as early as the Olmec civilization, with cacao originating from their word for currency, ka-ka-w [1]. The Mayans adopted cacao into their respective civilization–for consumption, as legal tender, and for rituals.

Cacao was essential for social, physical, and spiritual well-being, regarded for its medicinal, spiritual, and aphrodisiac qualities. The Mayan would prepare the batidos and other hot chocolate beverages from the ground cacao pulps. They were also used for arranging marriages, with the term tac haa, “to serve chocolate,” commonly used to describe the discussions in which they would determine marriages while drinking chocolate. Mixtec went a step further, using “cacao” as a phrase for royal marriage [2]. For the Aztecs, only the elites and wealthy consumed it because it couldn’t grow in Mexico, so they had to transport it 900 miles on their back [3].

Aztec sculpture holding a cacao pod.

Early pre-Columbian religious references to cacao are also prevalent in both Mayan and Aztec artifacts, with the Popol Vuh ascribing cacao with godly qualities and the Dresden Codex featuring cacao throughout, including consumption by the gods [4]. Likewise, in the Madrid Codex, Aztecs believed that cacao beans were the physical manifestation of Quetzalcoatl [5]. Other religious depictions included:

  • Cacao in fertility rites, with Ixchel and the rain god exchanging cacao.
  • Cacao tree depictions of royal bloodlines, with deities emerging from cacao trees with pods and flowers to symbolize their royal blood [6].

Figure: Aztec statue holding a cacao pod.

“Chocolate for the body; foam for the soul.”

Meredith Dreiss, Chocolate: Pathway to the Gods [7]

The foam produced was of special religious importance, with the foam seen as the most sacred part of the drink [8]. With this reverence toward the froth, the molinillo, as the instrument used to facilitate easier production of the froth, would also be revered and would become deeply intertwined in the chocolate-making process.

Molinillo in Mesoamerica? The Spanish Arrive

Many would expect that the Mayans and Aztecs used molinillos, since they are now regarded as crucial instruments when crafting authentic traditional chocolate beverages, but in fact, the molinillo was most likely introduced by the Spanish, possibly during the 16th century. While it is true that pre-Columbian texts mentioned turtle/tortoise shell stirring spoons and stirrers, there were no mentions of molinillos in pre-Columbian texts. Moreover, it was noticeably absent from the first Nahuatl-Spanish dictionary in 1571 [9].

Some of the possible confusion could stem from anachronistic depictions of the molinillo, such as the one below:

 “The artist has misunderstood the use of the metate [curved cacao grinding stone], and has mistakenly included the post-Conquest molinillo. (From J. Ogilby, America, London, 1671.) 

Instead, they used “small, hemispherical bowls” as drinking and mixing vessels, made with materials ranging from ceramics, to decorated calabash gourds (Crescentia cujete tree), to gold (huei tlatoani). Foam was created by pouring chocolate repeatedly between drinking vessels to produce the foam [10].

Left: 6-9th century Mayan ceramic vessel, Guatemala  | right: 7-8th century Mayan ceramic vessel, Mexico
Mayan woman producing foam via pouring technique

It wasn’t until 1780, when Jesuit Francesco Saverio Clavigero, mentioned the molinillo but not the traditional method of pouring the beverage to produce foam [11].

Molinillo: The Basics

The molinillo, a kitchen tool used to froth hot chocolate beverages, is a carved, handcrafted wooden stick, with a slender handle at one end and a knob at the other [12]. Its name is derived from its circular shape and its motion when used for producing foam resembling that of a molino (windmill) [13]. Each molinillo is unique and varies in size depending on the amount of beverage to be produced. The first iterations involved a simple ball or square at the end of a long handle. However, these soon were adapted to better facilitate frothing. Modern molinillos are crafted from a single block of wood, forming a slender wooden “whisk” with a long tapered handle and a carved knob with rings and other movable parts on the other end [14].

Each molinillo is unique, and the basic design can be flourished with details such as colored accents or ivory pieces, as well as square tops instead of rounded [15].

Molinillo with Color Accents
Molinillo with Squarish Top

Using a Molinillo

Frothing hot chocolate beverages with a molinillo is straightforward. Simply put, the slender handle is gripped between the palms, which are then rubbed together to rotate the carved knob back and forth. This motion grinds the chocolate discs used for the beverages against the pestle bottom of the drinking vessel [16], allowing the beverage to froth within a few minutes.

A Mexican Cook, “Using A Molinillo to Make Hot Chocolate.”

The motion is so simple, in fact, that the molinillo frothing process is even a popular rhyme among Mexican children and their teachers:

Bate, bate, chocolate,
tu nariz de cacahuate.
Uno, dos, tres, CHO!
Uno, dos, tres, CO!
Uno, dos, tres, LA!
Uno, dos, tres, TE!
Chocolate, chocolate!
Bate, bate, chocolate!
Bate, bate, bate, bate,
Bate, bate, CHOCOLATE![17]

Bate = Stir or whip
tu nariz de cacahuate = roughly "your peanut nose"
Uno, dos, tres = One, two, three

Crafting Molinillos

“Molinillo and chocolate depend on each other–one cannot exist without the other. “

Molinillos are carved from a single piece of wood rotating on an axis. Typically soft wood from trees like the aile mexicano (Alnus acuminata ssp. glabrata) are used for carving because they are odorless and flavorless as to not impact the flavor of the chocolate. The black sections of the molinillo are not painted; rather, the friction from the velocity of the wood spinning on the axis of the machine burns the wood a darker color, which the crafter then polishes. Once the base is completed with all the large grooves, all the smaller notch carvings (helpful for circulating the milk to increase frothiness) are completed by hand [18].

Molinillo Tradicional [Making a Molinillo from Wood]

Each molinillo is unique, and the basic design can be flourished with details such as colored accents or ivory pieces:

Artisanal Molinillo Crafting

For molinillo artisans in areas popular for their chocolate, such as 3rd generation crafter Jesus Torres Gomez, carving molinillos, among other wooden kitchen utensils, is both a skill and an artform, passed down for over 100 years as they continue to modify and perfect their craftsmanship. While he uses a motor to facilitate the rotation of the wood piece, all the carvings are completed by hand. He produces 3 types of molinillos:

  • Criollo, for making the foam for chocolate atole in the central valleys.
  • For making the foam for hot chocolate.
  • More elaborate item to serve as a decorative souvenir for tourists in Oaxaca (not meant to be used).

Similar to the more extravagant uses of chocolate and chocolate-producing equipment in Mesoamerica, these items are often also used for special events, including weddings and quinceañeras (coming of age celebration for 15th birthday) [19].

Jesus Torres Gomez, “Artesano de Molinillos”

Modern-Day Molinillos and “Authentic Recipes”

Contemporary molinillos serve more as a nostalgic artifact than a necessary tool for the average chocolate beverage consumer. For champurrado–traditional Mexican chocolate-based atole– and hot chocolate, recipes available online often include many modifications to traditional recipes, incorporating many ingredients not available to pre-Columbian Mesoamericans. For the thicker champurrado, they are often flavored with vanilla, cinnamon, anise, nutmeg, cloves, and other spices, as well as grated piloncillo (raw, undefined sugar cane)[20].

Likewise, they often include milk instead of water, and they are frothed with whisks or spoons. For “authentic Mexican hot chocolate” recipes, chocolate beverages are not strictly based on traditional Mayan or Aztec chocolate recipes; similar to the effect of molinillos on chocolate crafting, they combine indigenous and Spanish influences. However, molinillos are still incorporated into more traditional recipes, particularly Oaxacan hot chocolate, which uses water instead of milk and is whisked with a molinillo [21].

Endnotes:

  • [1] Khan, Gulnaz. “Watch the Ancient Art of Chocolate-Making.”
  • [2] Martin, Carla D. “Mesoamerica and the ‘Food of the Gods.’”
  • [3] Festa, Jessica. “Sweet Guatemala: A Look At The Country’s Mayan Chocolate History And Modern Experiences.”
  • [4] Martin, Carla D.
  • [5] De la Fuente del Moral, Fatima.
  • [6] Martin, Carla D.
  • [7] Dreiss, Meredith L., and Sharon Greenhill. Chocolate: Pathway to the Gods.
  • [8] Martin, Carla D.
  • [9] Coe, Sophie D., and Michael D. Coe. The True History of Chocolate.
  • [10] ibid
  • [11] ibid
  • [12] Edwards, Owen. “A Historic Kitchen Utensil Captures What It Takes to Make Hot Chocolate From Scratch.”
  • [13] CORTV. Jesús Torres Gómez artesano en molinillos.
  • [14] Bowman, Barbara. “Molinillo – Mexican Chocolate Whisk (Stirrer).”
  • [15] ibid
  • [16] “Molinillo: Hot Cocoa Frother | Mexico, Wooden Stick, Traditional Hot Chocolate Grinder, Frothing Stick, Molinillos.” UncommonGoods.
  • [17] Fain, Lisa. “Mexican Hot Chocolate and a Molinillo.”
  • [18] Cocinando con Rita. Molinillo Tradicional.
  • [19] CORTV.
  • [20] Rodriguez, Vianncy. “How to Make Champurrado.”
  • [21] “How to Make Authentic Mexican Hot Chocolate.” A Side of Sweet.

Works Cited

Multimedia Cited

———. Molinillo with Squarish Top. Gourmet Sleuth, Molinillo – Mexican Chocolate Whisk (Stirrer). Accessed May 16, 2019. https://www.gourmetsleuth.com/images/default-source/articles/molinillo-3.jpg?sfvrsn=2.

From Cultural to Commercial: Cocoa’s Geopolitical Transformation

Molded by years of exposure to masterfully crafted marketing campaigns, average consumer knowledge of cacao [or cocoa] is limited to its function as an ingredient and source from which their beloved chocolate is derived. There is much more to the birth, rise, and spread of Theobroma cacao.

The following seeks to explain how a culturally significant crop among early civilizations dating back to 1500 BCE (Coe and Coe, 2013) transformed from a highly treasured ingredient and social currency cultivated within a fairly limited zone to a globally produced and traded commodity: a highly reformulated, mass-produced, and readily available confectionery product.

This journey traces cacao back to its genetic and cultural beginnings where it was religious and cultural fixture among early civilizations; how exploration and migration played into the geographical expansion of its cultivation and rise in popularity as a food; role in accelerating industrialization; and transformation from a social currency and treasured ingredient to a heavily traded commodity and mass manufactured consumer product.

Genetic and Cultural Beginnings

From births and burials, recipes and rituals, cacao’s cultural origins are linked to Mesoamerica (present day Mexico through Central America), where its social and religious significance among the Olmec dates back to 1500 to 400 BCE (Coe and Coe, 2013). The rise of Maya and Aztec civilizations gave way for cacao’s evolution utility and proliferation as a consumable.

Cacao’s Role in Society and Religion

Evidenced by archeologic discoveries, translated texts, and scientific testing, several vessels and writings have been unearthed, clarifying and validating cacao’s significance, religious ties, and early application as a currency.

Mayan and Aztec civilization associated cacao with the gods. As such, they were believed to enrich and afford protections during and after life, playing a central role in offerings and rituals (Coe and Coe, 2013).

Ceramic vessels similar to those pictured here which date back to 455 to 465 CE were found in burial tombs at Río Azul (Martin, 2019). Further testing confirmed positive traces of caffeine and theobromine—two of cacao’s alkaloid signatures (Martin, 2019).

Dating back to 455 to 465 CE, “funerary vessels” similar to those pictured here were discovered in tombs at Río Azul. As testing revealed traces of caffeine and theobromine, two of cacao’s signature alkaloids, this further supported evidence of cacao’s religious significance (Martin, 2019).

As a food or drink, cacao took many forms. Popular among the Maya and Aztec, “cacahuatl” was a frothy preparation often transferred from one vessel to another and served cold (Coe and Coe, 2013).

Described by Coe and Coe in The True History of Chocolate and drawn by Diane Griffiths Peck, this illustration provides a glimpse into one of many Maya and Aztec cacao preparation and serving methods.
Of the 15 discovered, translated, and still intact, the Dresden Codex contains the aforementioned Mayan hieroglyphic depiction of cacao being consumed by gods and used in rituals (Martin, 2019). Other major works include the Popol Vuh or “Book of Counsel” is a colonial document later translated by Friar Francisco Ximénez that reveals the importance of cacao among early civilizations.

Exploration and Migration: Changes in Cultivation and Consumption

By definition, explorers were bound to make new discoveries and learn from their experience. Capturing the innocent confusion and eye-opening experience (only to be realized years later), the following briefly details just how one explorer mistakenly thought that cacao beans were almonds.”

Mistaken for Almonds: When recounting observations from his 1502 landing at Guanaja, one of many landmasses that make up the Bay Islands archipelago, Ferdinand Columbus, one of Christopher Columbus’ sons wrote about cherished “almonds” that traded hands similarly to how currency would pass between customers and merchants (Coe and Coe, 2013). It was not until years later after multiple interpretations and sources concluded that what he presumed to be almonds were in fact cacao beans.

As it came to be more widely known, not far from where Ferdidnad landed, throughout the Rio Ceniza Valley (present day coast of El Salvador), cacao was an increasingly popular form of currency being produced and traded in record volume—something . In time, this led to further learnings about the “Nahua counting system” and subsequent adoption of cacao as payment for “protection” by Spanish conquistadors.

Generally relegated to tropical climates falling 10-15 degrees north and south of equator, is was inevitable that cacao would make its way around the world. So as people moved, and culture spread, so too did the cacao, as a crop, currency, and curiosity, ultimately leading to its introduction to new geographies, and paving the way for new industries and traditions around the world (Martin, 2019).

New Formulations and Complementary Ingredients

As ingredients such as vanilla, chili, and many others traveled around the world, pairings and formulations rapidly evolved. Marking a major development and informing direction for the confectionery side as we know it today, sugar was introduced to Europe around 1100 CE and chocolate followed shortly thereafter in 1500 CE (Martin, 2019).

Cacao’s Role in Accelerating Industrialization and Expanding its Place in Society

While cacao consumption continued to be reserved for certain classes during its journey around the world, increasingly sophisticated processing methods streamlined productions, regulation eventually brought its price down, and despite medical and religious challenges to its place in society, cacao products were increasingly available to a grander population.

By the 1600 and 1700s, advances in processing continued to align with rising and more diverse consumption habits. Of course, by this time, the separation between “producing” and “processing” countries (read: colonies vs. industrialized nations) was increasingly clear.

So while cultivation and production spread across Central and South America, Southeast Asia, and Africa to meet demand, industry began to take shape on the consumer side as well with the emergence of social gathering halls or “Chocolate Houses” in Britain, France, Spain, the United States, and other “industrialized” nations who had transitioned to managing the cacao’s trade as a commodity and processing for various food and beverage applications. It was not until Rudolphe Lindt’s invention of the conche in 1879, an advancement that bolstered flavor and feel (among other things), and set the stage for quality, processing, and mass production to take off (Coe and Coe, 2013).

Illustrated above, the matete, grinder, and conche are examples of what cacao processing tools were used by early civilizations (and are still used in the same or similar forms today) and evolved or industrialized processing equipment employed today (Martin, 2019).

From early civilizations to present day, cacao’s role in society, cultural significance, availability and consumption have evolved tremendously. However, its mystique and association as something special are still true to this day—just as they were in different and more elaborate forms among early civilizations. Perhaps this condensed history will give pause and reason for the average consumer to think beyond commercialization of cacao, cocoa, or chocolate, and value and validate its history and claims made by brands to improve global understanding, perception, and consumer habits.

Works Cited

  • Coe, Sophie D., and Michael D. Coe. The True History of Chocolate. 3rd Edition, Thames & Hudson, 2013.
  • Martin, Carla D., and Kathryn E. Sampeck. “The Bitter and Sweet of Chocolate in Europe.” Socio.Hu, Vol. 3, 2015, pp. 37–60.
  • Mintz, Sidney. Sweetness and Power: The Place of Sugar in Modern History. Penguin Books, 1986.
  • Leissle, Kristy. Cocoa. Polity Press, 2018

Media Cited

  • Hansen, Magnus Pharao. “Cacao: How a Single Word Holds the Key to Understanding the Mesoamerican Past”. Nawatl Scholar. January 1, 1970. Accessed March 15, 2019. http://nahuatlstudies.blogspot.com/2015/01/cacao-how-contested-history-of-single.html?spref=tw.
  • Olver, Lynne. “Food Timeline FAQs: Aztec, Maya, & Inca foods and recipes”. Lynne Olver 2000. March 1, 2015. Accessed February 17, 2019. http://www.foodtimeline.org/foodmaya.html.
  • Foundation for the Advancement of Mesoamerican Studies. “Map of Mesoamerica.” Accessed February 17, 2019. http://www.famsi.org/maps/.
  • Río Azul [Electronic Image]. Retrieved from Lecture. Martin, Carla D. “Chocolate Politics: How History, Multinational Corporations, Governments, NGOs, and Critics Influence the Chocolate We Eat”. Harvard University: Cambridge, MA. January 30, 2019. Lecture.
  • Wikimedia Commons. File:Popol vuh.jpg. (January 16, 2015). Retrieved February 17, 2019. https://commons.wikimedia.org/w/index.php?title=File:Popol_vuh.jpg&oldid=146695431.
  • Matete [Electronic Image]. Retrieved from Lecture. Martin, Carla D. “Chocolate Politics: How History, Multinational Corporations, Governments, NGOs, and Critics Influence the Chocolate We Eat”. Harvard University: Cambridge, MA. January 30, 2019. Lecture.
  • Grinder [Electronic Image]. Retrieved from Lecture. Martin, Carla D. “Chocolate Politics: How History, Multinational Corporations, Governments, NGOs, and Critics Influence the Chocolate We Eat”. Harvard University: Cambridge, MA. January 30, 2019. Lecture.
  • Conche [Electronic Image]. Retrieved from Lecture. Martin, Carla D. “Chocolate Politics: How History, Multinational Corporations, Governments, NGOs, and Critics Influence the Chocolate We Eat”. Harvard University: Cambridge, MA. January 30, 2019. Lecture.

Lectures Cited

  • Martin, Carla D. “Chocolate Expansion”. Harvard University: Cambridge, MA. February 13, 2019. Lecture.
  • Martin, Carla D. “Sugar and Cacao”. Harvard University: Cambridge, MA. February 20, 2019. Lecture.
  • Martin, Carla D. “Chocolate Politics: How History, Multinational Corporations, Governments, NGOs, and Critics Influence the Chocolate We Eat”. Harvard University: Cambridge, MA. January 30, 2019. Lecture.

Let Us Raise a Vessel to Cacao… Mayan Style!

Do you remember the last time you had a cup of hot chocolate? Was it served in a mug, topped with whipped cream? Or maybe you sipped it from a to-go cup from your favorite drive-thru restaurant. Most of the time we don’t fuss with what we’re drinking our hot chocolate from because we’re too busy enjoying the aroma and experience this time honored beverage provides us. Yet, ancient cultures, alike the Mayans, respected their cacao drinking methods and admired the cup they drank from just as much as they prized the drink itself. In many cases, cacao wouldn’t have been drunk if it wasn’t out of an artistically treasured and symbolized vessel… a far cry from how we view and present our version of hot chocolate today. Nevertheless, this customary beverage and the material in which it was once presented in was systematically ritualized throughout the ancient Classic Maya culture, proving a frothy cup of cacao was more than just something to cheers with.

The Classic Maya period (250 A.D. to 900 A.D.) was considered to be the most influential and profound stage of the ancient Mayan civilization. Fabulous accomplishments, such as towering pyramids and vast palaces throughout the Yucatan Peninsula, beautifully decorated ceramics, and a distinguishable writing system flourished during this time. This was also a time when the Maya elite prospered, and their admiration for the finer things in life influenced their daily lives and dietary intake, ritualizing items such as cacao and the vessels they were ingested from. David Stuart, an archaeologist and epigrapher who specializes in Mesoamerican cultures, describes in a chapter within the book, Chocolate in Mesoamerica, the ways in which the Maya civilization upheld the role of cacao within their society. Stuart suggests, “The importance of cacao in Classic Maya society was not widely appreciated until the decipherment of glyphic texts on ceramics in the 1980s, when it became clear that seemingly countless ceramic vessels were inscribed with a dedicatory formula identifying them as drinking vessels for chocolate” (Stuart 184).

Around the same time those descriptive discoveries were uncovered, much excitement arose when two vessels were found in Guatemala containing chemical remains of cacao (Theobromine), a study that was performed by W. Jeffery Hurst, a chemist at the Hershey Foods Technical Center (Carla D. Martin, Mesoamerica and the “food of the gods,” January 31, 2018). By identifying the Maya word and glyph for cacao (ka-ka-wa), including the remains of Theobromine, archaeologists soon realized the extensive amount of Maya vessels which were artistically depicted with the kakaw glyph, symbolizing the importance of cacao within their culture, alongside the vessels in which they were consumed from (Stuart 184). In most early cases, a vessel that depicted the kakaw glyph was considered to be apart of a Maya elites collection, illustrating the consumption of cacao was reserved for those of importance within the community.

The Kakaw Glyph
Figure 1. The kakaw glyph (ka-ka-wa) in the Dresden Codex. a. The individual syllables of ka-ka-wa. b. The representation of the God of Death holding an offering of a bowl of cacao. Drawings by Carlos Villacorta from the Dresden Codex (1976).

Maricel E. Presilla, a cultural historian, chef, and author of the book, The New Taste of Chocolate: A Cultural and Natural History of Cacao with Recipes, reviews the ways in which the kakaw glyph was depicted on Maya pots and drinking vessels, and goes on to say, “Dozens of Classic Maya pots and jars, included along with other furnishings in burial chambers, depict chocolate as a crucial, central element of opulent feasts” (Presilla 12). Archaeologists have also come to believe that the vessel in which the cacao drink was drunk from had different levels of significance and cultural value, through the means of the artwork depicted on the cup and the individuals utilizing this piece of material culture (Presilla 12). Realizations as such have contributed to many other professionals from a plethora of academic fields, such as anthropologists and art curators, into the mix, creating a vast amount of research conducted around this specific topic. Dr. Dorie Reents-Budet, an Art Curator at the Museum of Fine Arts in Boston, Massachusetts, describes the functionality of these impressive vessels in a chapter within the book, Chocolate in Mesoamerica, and considers these vessels, “Function as containers for edibles and also as portable props whose myths-political imagery lent power and prestige to their owners and the event during which they were used” (Reents-Budet 210).

As a result, these elaborate cacao drinking vessels served up a frothy-drink of dualism between the vessel itself and the individual enjoying this influential beverage. Illustrations of exclusive banquets held by the Maya elite were plentiful, and according to Reents-Budet, these elite banquets which included fantastic kakaw serving vessels, “Transcended their primary function as food service wares and were transformed into indispensable status markers and essential gifts; that is, they became social currency” (Reents-Budet 213). The aftereffect of these frequent banquets lead to those creative kakaw drinking vessels to be perceived as social currency and a higher status, and soon after, production of cacao drinking vessels by “highly trained artisans and renewed painters” (Reents-Budet 214) was off and running.

A Late Classic Maya Vase
Figure 2. A Late Classic Maya period polychrome vase for serving chocolate beverages and giving as gifts during elite feasts. Collections of the New Orleans Museum of Art. Photograph copyright Justin Kerr (K2800).

As a result of this newfound kakaw drinking vessel popularity, the Maya civilization never looked back, and the ideals around this foamy, ritualized beverage flourished for the rest of their reign. Through mysterious circumstances, the decline of the Maya culture happened sometime between the late eighth and ninth century, creating a sense of wonder around this distinguished ancient civilization. While we may never know what truly happened to the Mayans and their artistic culture, the remnants of their treasured vessels and love for cacao has overcome their deterioration, and continues to thrive in our modern day society through academic means and pure curiosity for what was once a fascinating and complex society.

Depiction of a Cacao Beverage Being Frothed
Figure 3. Classic Maya period depicting the aerating of a kakaw beverage by pouring the liquid from one jar to another placed on the floor. Collections from the Princeton Art Museum (acc. no. 75-17, the Hans and Dorthy Widenmann Foundation). Photograph copyright Justin Kerr (K511).

References Cited:

Martin, Carla D. Mesoamerica and the “food gods.” Harvard University, Jan. 2018, https://docs.google.com/presentation/d/1XF-lM9Z9iks0cVhUFRJ1QWBokKTRrdvZISwAJVSe_Ag/edit#slide=id.gef490479d_2_18

Presilla, Maricel E. The New Taste of Chocolate: A Cultural and Natural History of Cacao with Recipes. Ten Speed Press, 2009.

Reents-Budet, Dorie. “The Social Context of Kakaw Drinking among the Ancient Maya.” Chocolate in Mesoamerica, edited by Cameron L. McNeil, University Press of Florida, 2009, pp. 202-223.

Stuart, David. “The Language of Chocolate References to Cacao on Classic Maya Drinking Vessels.” Chocolate in Mesoamerica, edited by Cameron L. McNeil, University Press of Florida, 2009, pp. 184-201.

Dumbledore Loves Chocolate
Harry Potter and the Philosopher’s Stone. Dir. Chris Columbus. Warner Bros., 2001. DVD.

 

This Little “chocolate pot…”

Much literary attention has been given to Pre-Columbian cacao artifacts, specifically the cylindrical types used by both the Maya and Aztec for cacao preparation and consumption. Until more recently, however, there has been little attention given to the much older Preclassic spouted vessels excavated throughout Maya highlands and lowlands (see figures below). The pichinga, as these vessels are now called by modern Maya groups living in the Guatemalan highlands, are historically significant as they fit into the earlier segment of the cacao and chocolate narrative; furthermore, these pots have only more recently been able to provide the ethnographic data to substantiate why for the past century “Mayanists have dubbed [these] Preclassic spouted vessels as “chocolate pots”” (Powis et al., 2002).

 

Figure 1: Spouted Vessel, Tomb 1, Mound 1, Chiapa de Corzo, Chiapas Mexico 100 BCE-100 CE, 21 x 18.5 cm. (source: http://www.mesoweb.com/lords/feasting.html)

Figure 2: Excavated from the Colha site in northern Belize between 600 BCE-250 CE, is one of 14 vessels that contained substantial amounts theobromine.
(source: http://www.nature.com/nature/journal/v418/n6895/fig_tab/418289a_F1.html)

As early as 1918 the term “chocolate pots” was used in Thomas Gann’s report, “The Maya Indians of Southern Yucatan and Northern British Honduras” to describe the Late Preclassic spouted vessels found in burial sites at Santa Rita Corozal, Belize without any supporting evidence to confirm its accuracy. The term “chocolate pots” has since permeated literature, uncontested albeit the lack of “supporting contextual, residual, phytolith, or iconographic analyses to either confirm or deny” cacao usage (Powis et al., 2002). Why then has this phrase “chocolate pot” become so embedded within the literature? With the discovery of new methods to analyze phytoliths, these vessels now provide substantial data to conclusively determine that these vessels were indeed used during the preparations and consumption of cacao, given the high levels of theobromine found within them (Powis e al, 2002).

Preclassic spouted vessels were associated with the elite class. The contextual findings presented by Powis et al. suggest that approximately 90% of these vessels were excavated in “special deposits”, and were of elaborate forms, suggesting that cacao drinking was incorporated in ceremonial and ritual practices. Patricia McAnany and Eleanor Harrison, in their seminal 2004 work, K’axob: Ritual, Work, and Family in an Ancient Maya Village, confirm these special burial caches, suggesting that the K’axob site yielded “signature pieces” and that “they contain special characteristics such as modeling, gadrooning, incising, and appliqué,” which denoted dedicated function (McAnany and Eleanor, 2004). As is more commonly known, this practice of dedicated vessel usage was exhibited with the Classical cylindrical vessels and continued on up until the arrival of the Spaniards. However, the Primary Standard Sequence (PSS) does not appear on any spouted vessels, only on the Classic cylindrical types. Nonetheless, these elaborate spouted ceramics were part of the elite continuum of cacao’s status among the Mesoamerican people.

Spouted vessels provide the linguistic evidence needed to link the word kakawa or cacao to the Olmecs. Until the discovery of these vessels, there was no strong evidence, either archaeological, botanical, or iconographic to support the Olmec theory of origin for the word, according to David Lentz and Michael Coe (Powis et al., 2002). Within scholarship there were two opposing hypothesis to the origin of the word cacao.  On the one side, as articulated by Karen Dakin and Sren Wichmann (2001), kakawa was a Uto-Aztecan term, of Nahuatl origin. This would then suggest that the history of cacao consumption started sometime during the 5th century CE.  However, Lyle Campbell and Terrence Kaufman’s seminal article in 1976, “A Linguistic Look at the Olmecs”, contended that the term kakawa was of Mixe-Zoquean origin, which the Olmec spoke as early as 1500 BCE, suggesting that Preclassic Mesoamerican cultures produced, distributed, and consumed cacao at least two millennia before the Aztec. Thus the discovery of these pots was significant in that they provided the necessary data to support the much earlier Olmec origin (Powis et al., 2002).

Although it is not definitive as to why Protoclassic Mayans replaced their spouted pots with the Teotihuacan-style tripod cylindrical vases, Powis et al. suggest that the new method for cacao preparation was perhaps introduced by Mayan contact with Mexican highlanders as these new vessels were superior for cacao usages than the spouted variety. Given its form and larger size, the cylindrical vessels provided better storage; made it easier for transportation; provided more space for inscribing glyphs to identify ownership, purpose and location of craftsmanship;  and perhaps most importantly, these new vessels provided wider mouths, openings from which to pour the liquid cacao from one vessel to another in order to create the all coveted foam for their beverages (Powis et al., 2001). Joseph W. Ball, in his 1983 article, “Teotihuacan, the Maya, and Ceramic Interchange,” provides a discussion of the notable homologies between the Mayan and the Teotihuacan ceramics, suggesting that:

…either aesthetic considerations or a desire to emulate a particular vessel form associated with a foreign social system and so connoting high status might have motivated such copying. Consideration should also be given to the possibility that lidded tripod cylinders might have represented specialized commodity containers. Some possible association with the transport, presentation, storage, and/or consumption of cacao or a cacao preparation comes immediately to mind given the Teotihuacan and Guatemala highland distributional foci of such vessels (Ball, 1983).

Although the “chocolate pots” of Preclassic Maya are less known and studied than the more recent cylindrical vessels, these spouted ceramics, nonetheless, play a vital role to understanding the Mesoamerican ethnography surrounding cacao and chocolate. The discovery and analyses of these spouted pots and the important data they provide have enriched scholars and chocolate lovers alike, providing us with a richer picture of how this “food of the gods” has evolved throughout the ages, and how it became intrinsic to the Pre-Columbian peoples: their sustenance, their rituals, their beliefs, and ultimately their enjoyment, a pleasure now indulged throughout the world.

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